wnyc

You are currently browsing articles tagged wnyc.

Hi there. Hope you all enjoyed Halloween; I did.

So here’s the thing: I’ve been really busy. There’s a lot going on in my world right now, much more than I would ever have expected when I quit my job last winter. Perhaps most notably, I’ve been a hired gun for WNYC, New York’s awesome public radio station, producing segments for the music talk show Soundcheck — like this one. And more importantly to me, I’ve been working on an album — the very first full-length studio release by my project Art Sorority for Girls, after seven years of performing under that name. It’s taken over a year, and it’s still got a ways to go… but I think it’s pretty good so far, and I can’t think of another time I’ve felt so passionately committed to getting something done. Mind you, it hasn’t all been fun; in fact, bouts of intense, crippling doubt and despair have become quite common. But the good days? They’re really good.

In any case, between days at the radio station, days in the studio, and the in-between time that I’ve spent scrambling for freelance work to finance this quasi-bohemian life, I admit I’ve had very little time for you, my faithful readers. Hell, I’ve barely had time for my friends. And when that reality hit me, I panicked and considered shutting my young blog down, if only to save myself the embarrassment of more time in public limbo. But two things have happened in the past week that kept me from jumping ship. The first was that people asked why I had stopped writing; granted, they were all friends of mine, but it was proof that someone out there cared whether this thing lived or died. The other was that I saw This Is It, the Michael Jackson documentary. Apart from being inspired by Jackson’s work ethic, I found that during the rendition of “Thriller,” all I could think about was what the bass line had in common with this one really great Kings of Leon song. That, in itself, seemed proof enough that the well wasn’t dry; I was still thinking the kinds of thoughts that made me start this damned silly thing in the first place.

So I’m giving it another shot. I promise you there will be more dry spells; I’ve got my fingers in so many pots right now that it’s just inevitable. But I’ve been exposed to so much new music this year and it’s given me so much to think about; if you’ll just stay with me, I’ll do my best to deliver the goods whenever I can. Thanks for your support so far.

With love,
Daoud

Tags: , , , , ,

Studio 360, “New Lyrics for Old Broadway”
(Episode: Ben Hong, West Side Story, Sufjan — April 17, 2009)

WNYC’s Studio 360 recently ran a short segment on the current Broadway revival of West Side Story that’s worth a listen. The new production has a daring and poignant twist to it: the Puerto Rican characters converse with one another in Spanish, and on the songs “I Feel Pretty,” “A Boy Like That,” and the “Tonight” quintet, they actually sing in Spanish. Lin-Manuel Miranda, writer and star of In the Heights, prepared the translations with Stephen Sondheim’s blessing, but on one condition—Sondheim insisted the songs still needed to rhyme in the right places.

That this idea could work says something to me about the way iconic music lives in our minds. West Side Story’s songs are perhaps the most memorable showtunes I can think of. Now that they’re fifty years deep in our cultural history, most of the audience for this show, and in fact most people who care anything about musical theater, are likely to know the words by heart already. As for the uninitiated, I like to think they’ll glean the songs’ meanings by mere virtue of being in a room full of people who adore them—that Sondheim’s lyrics and Leonard Bernstein’s music belong to a vast collective unconscious, one which neophytes can tap into if given the right kind of prodding.

Check out the entire episode at the Studio 360 show archive.

Tags: , , , , , ,

LRAD

Something a little different today: two news stories from the past few years wherein sound has been harnessed, focused, and projected as a means of influencing or intimidating its targets. In 2005, the Associated Press reported that a cruise ship off the coast of Somalia used a sound gun called LRAD (Long Range Acoustic Device) to fend off a pirate attack; read that story here. In 2007, WNYC’s On the Media produced a great segment on sound beam advertisements that single out pedestrians—à la Minority Report—and what it means for the ongoing discourse on the right to privacy. You can hear the story and read a transcript here.

Tags: , , , , , , , ,